An editor for CTV News noted how the singer was seen hovering over a bed in an exorcist style.  During the same video, she praised Timberlake and Miguel's work; the clip also showed footage of Beyoncé recording the song in the studio. The engineering of "Rocket" was done by Ramon Rivas with assistance by Matt Weber. Community Guidelines | Stumped, I asked a woman who is a hip-hop scholar to share her explanation of the lyrics.  Following the song's live performance, its sales in the US increased by 584%.  Neal Farinah, who worked as a stylist for the singer, elaborated that the team wanted to keep her hair long and wavy in order to portray sexuality and femininity. , Stereogum journalist Tom Breihan described "Rocket" as "a squelchy, Prince-ly old-school sex-ballad" in which the singer seemingly "melt[s] into the track".  In a review for The Quietus, Mof Gimmers concluded that the song followed up where Ciara's "Body Party" (2013) and R. Kelly's Black Panties (2013) finished. All Rights Reserved Worldwide.  Todd Tourso, who served as the creative director for Beyoncé, revealed that while making the video, "Rocket" was altered to fit with its visual counterpart..  Writing for the Italian edition of Vogue, Valentina Veneziano concluded that the video showcased Beyoncé's positive attitude portrayed through her laugh in "Rocket". The Story: You smell like goat, I'll see you in hell, The Story: All the b***h had said, all been washed in black, The Story: At home, drawing pictures, Of mounds of tots, With ham on top. Many critics considered it to be one of the most erotic clips on the entire album and praised its filming technique. He recalled that they collaborated soon after she had had her first baby.  Many critics found similarities to work by musician Prince.  Neil McCormick, writing for The Daily Telegraph criticized the song as a "superflous" [sic] cut meant for The 20/20 Experience. First, cake refers to a woman's assets, and it also refers to oral sex on a woman.  Mike Diver of Clash felt surprised by Miguel's writing contribution mostly due to the sound showcased in the song.  Mike Divers from Clash magazine also felt that "Rocket" was reminiscent of Prince's "funky prime". So this doesnt need any explanation; hes serving her and shes losing control. At the same time, the song is taking a turn, throwing us a curve.  In what she perceived to be the best dance moves on the album, Lindsey Weber of Vulture listed the same scene.  With that said, the singer felt "stifled" and unable to express every feeling she wanted to show. Columbia Records. Akbia Solomon at Colorlines says she's tired of that topic, but she does question some of the choices made by Mr. & Mrs. Carter (Jay-Z and Beyoncé) during their Grammys 2014 performance of "Drunk in Love." Rocket", "VMAs: Beyonce Shares Onstage Kiss With Jay Z After Performing Self-Titled Album Medley", "Beyonce's 2014 VMA Performance: Fearless, Feminist, Flawless, Family Time", "VMAs 2014: Beyonce Performs a Mesmerizing 'Beyonce' Medley", "Beyonce Leads Post-VMA Sales Gains, Album Rises 1400 Percent", "Beyoncé's Formation tour: 7 things to watch for", "30+ Songs, Insane Moves, and Jay Z Shout-Outs: Beyoncé's Formation World Tour, Night 1", https://en.wikipedia.org/w/index.php?title=Rocket_(Beyoncé_song)&oldid=967910111, Song recordings produced by Jerome "J-Roc" Harmon, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, Executive producers – Rob Galluzzo, Erinn Williams, Producers – Carly Hugo, Kirstein, Tracey-Lee Permall, Assistant editors – Jonatán López, Joe Sinopoli, This page was last edited on 16 July 2020, at 01:58.  It has a time signature of 6/8. You'll have to put me on a pedestal, like, never mind that it's Beyoncé.  On November 24, 2014 it was also uploaded to the singer's Vevo account. It was also a part of the setlist during The Formation World Tour (2016).  BET's Latifah Muhammad used the words "assertive, feminine, coy and direct" to describe the track. , The music video for "Rocket" was directed by Beyoncé along with Ed Burke and Bill Kirstein.  Lindsey Weber of Vulture considered it an ode to "Untitled" and summed it up as "insanely sexy". Honesty, "Beyoncé's "'Self-Titled' Part 5.  Considering it one of the most intimate videos on the entire record, Michael Zelenko from The Fader noted, "In a collection full of erotic videos, 'Rocket,' with its heaving chests, bare thighs, bubble baths, and nails clawing at sheets, manages to stand apart as the steamiest of the bunch.  During the last part, she sings "Goddamnit, I'm comfortable in my skin / And you're comfortable in my skin". , Keeping in line with the most prominent theme of Beyoncé, "Rocket" explores frank female sexuality.
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